Saturday, November 27, 2010

Triptych


Assignment: Create a series of three works of digital photographic montage in Adobe Photoshop from specific source material.The subject matter for each of the three works must be, at minimum, the same 25 scanned or downloaded images. At least one of the images must be of a word. Each panel of the triptych must include all of 25 source images. Consider the conceptual link between image, object and word tha
t will be created by their combination.


I
scanned a number of images of Medieval art from a postcard collection from the Metropolitan Museum of Art. My "word" is in Latin, so I don't know what it means, but it is contained in one of the manuscripts which these illustrations of Medieval women in everyday life illuminated. I preferred not to translate--it makes the "once upon a time" theme more real. The green rope is my cat's toy; the polyhedron is by Leonardo da Vinci, and the Buddha, animals, and other photos were downloaded from the web or isolated from one of the Medieval scans. The background pattern was the inside cover of the postcard book, which I moved as it was being scanned, creating ripples. Left to myself, I probably would have stopped adding before all 25 images were incorporated, being rather of the "less is more" school; nevertheless, with everything in there, I had a lot more fun looking at it...

Tuesday, November 23, 2010

Photo Montage


Assignment: Using an artwork found and purchased at a thrift store or garage sale as your starting point, create a new work of photo montage entirely from appropriated imagery from magazines or books of your choice.

I found an "original oil painting"of the Arc de Triomphe at the dollar store. It was one of those assembly line creations where a group of painters paint the same section over and over and then hand it on to another painter who adds another element. It was so bad it was ludicrous, which seemed appropriate for what I was probably going to produce. So I went for "ludicrous" full bore, and had a blast. Except for the inability of the glue to stick to the oil surface, it was an exercise in delight for me. I just hope that the oil painting wasn't produced in a sweatshop or third-world prison where workers who don't meet a quota are beaten. There is, unfortunately, a possibility that this could be all too true.

A technical note: sometimes embroidery scissors work where an X-acto knife won't.